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Norma Shearer - Galleries - Various Photographers
 
 
 

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at peace

buttons & bows

diva wallpapers

divine links

eye-catching

from I do to I'll sue

kiddies' korner

life-savers

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mommie dearest

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when divas meet

 
Kobal Collection


Movie-Star Portraits of the Forties: 163 Glamour Photos by John Kobal (Editor)

Hollywood Glamor Portraits by John Kobal

Film-Star Portraits of the Fifties by John Kobal
 

 

 

Norma's charisma and sense of presence-- when she was in a room, she was the only one in the room-- attracted the best photographers of her day, whether famous or now-forgotten. They formed an appreciative crew of admirers who saw instinctively what Norma was all about, and the happy marriage of their skill and her charms left us with thousands of striking images. Here is a selection of rare stills made by photgraphers like Bud Graybill, Henry Waxman, Edward Steichen, Nickolas Muray, Cecil Beaton, Lusha Nelson, Melbourne Spurr and many more...



Simply hover your mouse over the thumbnails to reveal the name of the photographer. Click to see the full size picture.

 

Norma Shearer by Bud Graybill Norma Shearer by Bud Graybill Norma Shearer by Bud Graybill Norma Shearer by Bud Graybill
       
Norma Shearer by Bud Graybill Norma Shearer by Bud Graybill Norma Shearer by Bud Graybill Norma Shearer by Bud Graybill
       
Norma Shearer by Bud Graybill Norma Shearer by Bud Graybill Norma Shearer by Bud Graybill Norma Shearer by Bud Graybill
       
Norma Shearer by Bud Graybill Norma Shearer by Bud Graybill Norma Shearer by Henry Waxman Norma Shearer by Henry Waxman
       
Norma Shearer by Henry Waxman Norma Shearer by Henry Waxman Norma Shearer by Henry Waxman Norma Shearer by Henry Waxman
       
Norma Shearer by Henry Waxman Norma Shearer by Henry Waxman Norma Shearer by Henry Waxman Norma Shearer by Nickolas Muray
       
Norma Shearer by Nickolas Muray Norma Shearer by Nickolas Muray Norma Shearer by Nickolas Muray Norma Shearer by Nickolas Muray
       
Norma Shearer by Nickolas Muray Norma Shearer by Nickolas Muray Norma Shearer by Nickolas Muray Norma Shearer by Apeda of New York
       
Norma Shearer by Apeda of New York Norma Shearer by Apeda of New York Norma Shearer by Apeda of New York Norma Shearer by Apeda of New York
       
Norma Shearer by Apeda of New York Norma Shearer by Apeda of New York Norma Shearer by Apeda of New York Norma Shearer by Melbourne Spurr
       
Norma Shearer by Melbourne Spurr Norma Shearer by Melbourne Spurr Norma Shearer by Melbourne Spurr Norma Shearer by Melbourne Spurr
       
Norma Shearer by Melbourne Spurr Norma Shearer by Melbourne Spurr Norma Shearer by Arnold Genthe Norma Shearer by Arnold Genthe
       
Norma Shearer by Arnold Genthe Norma Shearer by Arnold Genthe Norma Shearer by Edward Steichen Norma Shearer by Edward Steichen
       
Norma Shearer by Edward Steichen Norma Shearer by Edward Steichen Norma Shearer by Edwin Bower Hesser Norma Shearer by Edwin Bower Hesser
       
Norma Shearer by Edwin Bower Hesser Norma Shearer by Milton Brown Norma Shearer by Milton Brown Norma Shearer by Milton Brown
       
Norma Shearer by C. Heighton Monroe Norma Shearer by C. Heighton Monroe Norma Shearer by Cecil Beaton Norma Shearer by Cecil Beaton
       
Norma Shearer by Mark Kauffman Norma Shearer by Mark Kauffman Norma Shearer by Lusha Nelson Norma Shearer by Lusha Nelson
       
Norma Shearer by Ted Allan Norma Shearer by Margaret Chute Norma Shearer by Russell Ball Norma Shearer by Witzel
       
Norma Shearer by Grimes Norma Shearer by Coburn    
       

 

[ click here to return to Norma's galleries ]

 



Hollywood Artwork


The Lost Artwork of Hollywood: Classic Images from Cinema's Golden Age by Fred E. Basten (Editor)

Paper Dreams: The Lost Art Of Hollywood Still Photography by David Campany, Christoph Schifferli
 



 


MGM photographer Bud Graybill became so adept at pleasing the stars that they frequently asked him to photograph their parties, christenings, and other private affairs. "Some days I'd be shooting fashion for Maureen O'Sullivan; then I'd be doing glamour for Lana Turner; the next day I'd be on the set doing publicity, taking pictures that would make good layouts. And when political or military statesmen visited and the whole studio would turn out to greet them on a sound stage, I'd cover it, too. To me the thirties were the optimum years of the entire business."