 |
|
INTRODUCTION |
|
 |
|
HER
STORY |
|
 |
|
QUOTES |
|
 |
|
TRIVIA |
|
 |
|
NICKNAME |
|
 |
|
GALLERY |
|
 |
|
CURIOS |
|
 |
|
VOX
POPULI |
|
 |
|
SHOP |
|
DVDs |
|


|
|
To a generation of
cinema and TV audiences, Dame Julie Andrews
will always be best remembered as the singing star of the Sixties films The
Sound of Music and Mary Poppins.
But of course there has been much more to Dame Julie's career than these
two successes. She has been one of the world's best-loved screen and stage
stars for more than 40 years. She has appeared in more than 30 movies and
received acclaim for her musical stage performances on Broadway
and in London's West End. She
has totted up an impressive list of awards - including an Oscar
for Best Actress and three
Golden Globes.
Julie Andrews was born Julie
Elizabeth Wells on 1 October 1935 in Walton-on-Thames,
Surrey, UK to parents Barbara and Ted. As a toddler (four years old), her
parents separated, and Barbara formed a relationship with another Ted -
Ted Andrews, a singer who hoped to make it big as a performer on the
cabaret stage. Being the daughter of show people, Julie's distinctive,
clear, singing style was ingrained during the
lessons she had as a child. She made her - unbilled - professional debut
at the age of 10 in her parents' variety act
At the age of 12,
she made her London debut, singing operatic arias in the Starlight
Roof revue.
Her New York stage debut as Polly Brown
in the hugely successful musical The Boy
Friend in 1954 was the turning point in her career.
Two years later, and she was creating the part of Eliza
Doolittle in My Fair Lady,
which became one of the most spectacular hits in Broadway history. She
then conquered Broadway again as Queen
Guinevere in Camelot.
But when it came to transferring her success as Eliza Doolittle onto film,
Dame Julie lost the role to Audrey
Hepburn in 1964.
Film glory was nonetheless waiting just around the corner, and that same
year she secured her Oscar-winning role
as the magical nanny in the children's fantasy Mary Poppins.
The following
year, she starred in The
Sound of Music
- still a firm TV favourite and one of the top-grossing films of all time
- and for which she was also nominated for
another Oscar.
Golden Globe nominations
followed for her roles in the film musicals Thoroughly
Modern Millie and the Gertrude Lawrence biopic Star!
She then won a Golden Globe in
1983 for her starring role in the movie Victor/Victoria,
in which she starred with James Garner. Her other two Golden Globes
were for Mary Poppins
and The
Sound of Music.
A quiet period away from the limelight followed as Dame Julie decided to
concentrate on her personal life. She divorced her first husband, scenic
designer Tony Walton, after
nine years, and married Blake Edwards,
13 years her senior, in 1970.
As far as her career went, she appeared in a number of feature films
during this period, including The Tamarind
Seed, 10 and SOB
- all directed by Edwards - before returning to the New York stage in 1993
in Putting It Together.
In 1995, she was back on Broadway reprising her movie role in Victor/Victoria
on the stage. But in 1997, after missing more than 30 performances of the
show, she quit for good to have surgery on non-cancerous nodules in her
throat - an operation that she says has robbed her of her voice.
In the summer of 1998 she made a tentative step back to singing when she
recorded the vocal part of Polynesia The
Parrot for the London stage show Doctor
Dolittle.
But in December 1999, she took steps to sue the US hospital which operated
on her throat by launching a medical malpractice suit.
Despite not being able to sing Dame Julie has not let the grass grow under
her feet. In 2000 she played the part of the widowed English countess
Felicity in the film version of Noel Coward's play Relative
Values. Her
latest film The Princess Diaries
in which she plays the queen of a fictitious European country, called
Genovia, who must turn her shy teenage granddaughter into a Princess, opened
in the US on 3 August 2001.
While busier than
ever acting, writing children's books and her autobiography, the main focus
for Dame Julie remains her desire to perform on stage again and use her
voice because ultimately Dame Julie will remain best-known - and loved -
for her sunny persona, pristine image and cut-glass voice.
|


|