I HOME I SITEMAPDIVA PRINCIPLE I DIVAS I FORUM I EXPERTS I LITTLE EXTRAS* I FEEDBACK I

 

 
The Little Extras - The Curtain Call Chiques
 
 

 
Click 'n Shop


Star

Star!


 

 

"Hmm... two heads of broccoli, milk, toothpaste, three oranges... or four?
Mop head, carpet tacks... 25-watt light bulbs... string, soda water, and cigarettes."

 

 

Gertrude Lawrence (1898-1952) was born Gertrud Alexandra Dagmar Lawrence-Klasen, and began her career as a child in the British musical halls.  Agnes De Mille once said of her, "She couldn't sing-- but who cares?", while Laurence Olivier was quoted as saying "She was a blazing, great star, and we shall never see another like her."  Lawrence made her New York debut in Charlot's Revue (1924), with Beatrice Lillie, but it was in George & Ira Gershwin's Oh, Kay! (1926) that she introduced the world to "Someone to Watch Over Me."  In London, she appeared opposite Noël Coward in his now classic comedy Private Lives (1930), and transferred with the show to New York in 1931 (Noël Coward: "She would simply take my breath away").  She then appeared in a little-known Cole Porter gem, Nymph Errant (1932), singing a funny  number called "The Physician."  She teamed again with Coward in the revue Tonight at 8.30 (1936), thus indelibly linking "Noël and Gertie" in the public mind.  Lawrence found her most challenging and complex role to date as Liza Elliot in Kurt Weill's Lady in the Dark (1941). (Weill: "She had the greatest range between C and C-sharp.") Ira Gershwin came out of retirement (after the death of his brother, George) to write the lyrics (legend has it that Lawrence convinced him to change some of his wording in "My Ship"), and Moss Hart's libretto was his ode to Sigmund Freud.  On opening night, Danny Kaye stopped the show with the tongue-twisting "Tchaikovsky," but Gertie managed to steal it back again, belting out "The Saga of Jenny" with several unrehearsed bumps-and-grinds.  After publishing her memoirs, A Star Danced (1945), she played Eliza Doolittle in a revival of George Bernard Shaw's Pygmalion and then Amanda in the film version of Tennessee Williams' The Glass Menagerie (1950).  The last role of her career proved as equally complex and multi-faceted as Liza Elliot had been ten years earlier: she was now Anna Leonowens in Rodgers & Hammerstein's The King & I (1951), alongside bare-chested Yul Brynner.  This was possibly her greatest triumph, but unfortunately also her last, as she died suddenly on July 6th, 1952.  Her husband, R. S. Aldrich, wrote her biography (1955), and she inspired the bio-pic Star! (1968), an Oscar nominee that boasted Julie Andrews as Gertie. "I'm not what you'd call wonderfully talented, but I am light on my feet and I do make the best of things." -- Gertrude Lawrence

 

[ click here to go to the next Curtain Call Chique ]

[ click here to return to the Curtain Call Chiques ]

 
Click 'n Shop


Star

Star!